Italo Castro was a professional clown who became a father figure to countless street youth in Guatemala City. After his tragic death, the street youth wanted to honor their mentor and share he story of his legacy. Athentikos worked with them, using the I Am Art initiative to empower their dreams. Professional entertainers mentored the youth in a theatrical production on a distinguished stage. With odds stacked against them, perhaps they’re fools for believing it can be done. Or perhaps, Becoming Fools is exactly what they needed.
FORM: Documentary, Feature
GENRE: Drama, Reality, Social Issue, Biography
NICHE: Third World, Social Justice, Latino
RUNNING TIME: 80 Minutes
LANGUAGES: Spanish, English
SUBTITLES: English, Spanish
DIRECTOR: Scott Owen Moore
Becoming Fools was born during our production of Reparando. We fell in love with Italo Castro’s story: a professional clown who earned his living entertaining children at parties, but who also removed his makeup and cared for street children in his spare time.
We interviewed and captured some footage of Italo in January 2009, and originally intended for his story to be woven into Reparando. But when we began editing the film, we decided that Italo needed his own story.
In November 2010, we were in Guatemala for the premiere of Reparando, and spent some time with Italo to evaluate how best to tell his story. Italo took us to a place called “The Tank”, a dilapidated Pila to meet some “street kids”. We interviewed street youth and two things became very clear: first, that these youth had very tragic stories, and second, that they considered Italo a father figure. We returned to the US committed to producing a feature length documentary about Italo’s story called “Without A Costume” and began pre-production in December 2010.
In February 2011, Italo drowned in a tragic accident that changed everything. Originally, we were going to focus the story on Italo, using symbolic imagery of clowning to tell the story of his passion. Ironically, we didn’t even interview Italo the last time we were together, because we already knew his story, and we were gathering research about the street youth. So, the only footage we had of Italo was what we captured during Reparando. We realized that we needed to tell a different story.
In August 2011, we launched a Kickstarter Campaign that raised $110,000 in pledges, but failed to meet our $150,000 goal needed. So, as part of Kickstarter’s policy, none of those funds were activated. We had nothing … but we still felt called to share this story, so we asked our supporters if they would roll their pledges into our website so we could continue building momentum. We felt confident that we could raise the remaining funds needed to produce the film. As it turned out, only $50,000 of the original $110,000 in pledges were actually given to us … 1/3 of what we knew we needed. But we walked forward in faith, Becoming Fools to a calling (and incidentally, changing the film title to Becoming Fools).
Italo was physically gone, but the legacy of his life continued to echo through the lives of the street youth. They wanted to honor their mentor, so we worked with them using our I Am Art Initiative to empower their dreams. In November 2011, we interviewed over 50 street youth, and people connected to the issue of street children: government workers, church ministries, and secular NGO’s. We scoured through the hours of footage and developed a script for a symbolic drama called, The Journey of a Clown, based on the legacy of Italo’s life and service to these street youth.
In January 2012, we partnered with Freedom Guatemala and At Risk No More to produce the theatrical presentation in Guatemala City’s Teatro Abril, a renowned theatre with over a century of history. We gathered creative professionals to begin mentoring the street youth in weekly rehearsals. The dramatic troupe of street youth and creative professionals called themselves “Voz De Las Calles” (Voice of the Streets), and rehearsed together for five months in preparation for the event. We documented the entire process for Italo’s story, Becoming Fools.
After several months in Guatemala capturing the story, we returned home in July 2012 and began editing. The first rough edit was finished in December 2012 and we began to work on the musical score. The film went through several edits before it premiered at the Omaha Film Festival in March 2013 with rave reviews and more irony. A massive blizzard prevented hundreds of people from attending – people who had confirmed they would come and support the film. Becoming Fools could have won the festival … but that would have been a different story, and certainly not aligned with the name or theme of the film …
It has been a long road. There have been many times when we wanted to give up and questioned whether all our effort was worth it. But, this story is not over. We might never know the fullness of it’s fruit. Ultimately, it doesn’t matter. We didn’t set out to make a film that would bring us financial wealth.We fell in love with a “Holy Jester” and were inspired to join him in Becoming Fools.
Make a difference through I Am Art.
With your help, we can prevent at-risk youth from having to flee to the streets. We hope that Becoming Fools moves you … and inspires you to help us empower at-risk youth through our I Am Art creative arts initiative.
Our I AM ART initiative enriches the lives of at-risk children by using creative arts to show them the power of their true potential. With I AM ART, our goal is to help each child find the art within so they can change the way they view the world around them. This changes their course. This changes their community. This changes EVERYTHING.
Art has the power to change lives. Art can relieve stress, build self-esteem, give career skills, be a therapy tool for healing, develop relationships and amplify an artist’s voice.
Athentikos raises funds, organizes projects, develops curriculum and provides spiritual oversight to many art programs: overnight art camps, art workshops, theatrical performances, teaching training, mentorship and documentary film production.
We are a 501c3 non-profit and depend on the support of viewers like you.